Happy New Year!!

I must apologize for allowing myself to get so behind on my blogging. There's just been too much going on, so posts have fallen to the wayside. I just want to say that I hope the holidays have been good to everyone and that all of you have a wonderful and joyous 2010.

Help the Buns

Here's a blog that I encourage you to visit. They need support for rescue bunnies. Take a look at RenoRabbits and check out the story.

Farewell, Sweet Friend

Last Monday morning I when I went to feed the Buns, I found that my dear, sweet Bobbin had departed this world. She was such a gentle bunny. Her loss has left an empty space in my heart.

I can only find two pictures of her. I had deleted others I'd made because I thought I would be able to make better ones at other times. I had no idea how little time she had left.









In memory of Bobbin


The Legend of Rainbow Bridge
From the book, “The Legend of Rainbow Bridge” by William N. Britton
Reprinted with Permission
www.legendofrainbowbridge.com



Just this side of heaven is a place called Rainbow Bridge.
When a pet dies who has been especially close to a person here on earth,
that pet goes to Rainbow Bridge.
There are beautiful meadows and grassy hills there
for all our special friends so they can run and play together.
There is always plenty of their favorite food to eat,
plenty of fresh spring water for them to drink,
and every day is filled with sunshine so our little friends are warm and comfortable.
All the pets that had been ill or old are now restored to health and youth.
Those that had been hurt or maimed are now whole and strong again,
just as we remember them in our dreams of days gone by.
The pets we loved are happy and content except for one small thing.
Each one misses someone very special who was left behind.
They all run and play together, but the day comes
when one of them suddenly stops and looks off into the distant hills.
It is as if they heard a whistle or were given a signal of some kind.
Their eyes are bright and intent. Their body begins to quiver.
All at once they break away from the group, flying like a deer over the grass,
their little legs carrying them faster and faster.
You have been spotted, and when you and your special friend finally meet,
you hug and cling to them in joyous reunion, never to be parted again.
Happy kisses rain upon your face.
Your hands once again caress the beloved head.
You look once more into the trusting eyes of your pet so long gone from your life,
but never gone from your heart.
Then with your beloved pet by your side, you will cross the Rainbow Bridge together.
Your Sacred Circle is now complete again.
(Reprinted with permission of the author. Published 1994. Copyright © William N. Britton. www.legendofrainbowbridge.com)

Not the Blue Jeans, Part 1

or How I thought I would die in "The Doldrums" of Tristes Tropiques, but found myself in anthropology


The subject line on the email reads, "The passing of Levi-Strauss." Not paying much attention at all, completely ignoring that little hyphen, I think that someone on the folklore list is probably doing a project on the history of those wonderful denim pants. I go to the first link and am quite chagrined that my first impression was not appropriate for my academic upbringing. Claude Levi-Strauss, a major figure in anthropology, has died at the age of 100. My chagrin is not so much because I thought of blue jeans first, but more because I spent hours immersed in the work of Claude Levi-Strauss for a term paper assignment for a class in world cultures as an undergraduate.

I don't seem to be able to insert links at this time, so for more information, copy and paste the following:
http://voices.washingtonpost.com/postmortem/2009/11/claude-levi-strauss-dies-1.html
and
http://www.nytimes.com/aponline/2009/11/03/world/AP-EU-Obit-France-Levi-Strauss.html?_r=1&scp=2&sq=Levi%20strauss&st=cse





Claude Levi-Strauss in 2005; photo: Reuters




I had just started taking classes at Memphis State University (now University of Memphis, it will always and forever be Memphis State to me). I was a married student transferring from the University of Tennessee in Knoxville--a difficult move for me because of the wonderful anthropology department at UT and the graduate program in forensic anthropology and archaeology with Dr. William Bass that I planned to pursue (still can't insert links, but check out: http://www.upenn.edu/gazette/0900/0900pro1.html, http://www.jeffersonbass.com, and http://web.utk.edu/~fac/). This was back in the 70's before forensic science had become such an entertainment phenomenon and the subject of a large percentage of popular novels and TV shows, to which I admit being addicted. Yes, I read Patricia Cornwell, Kathy Reichs, and others. I watch CSI (all of them, although my preferences are Las Vegas and Miami), Bones, and NCIS, even the reruns I've seen too many times to count. Alas, life happens, and my pursuit of that career was not to be. There was some solace in the fact that Memphis State had an anthropology department with a graduate program, so all was not lost, but it required a major shift in my career plans.

I'd been out of school for a couple of years and had a child of six when I decided to enroll at Memphis State. I was in a bit of a quandary as to what to do about my major. I'd debated earning a double major in anthropology and art at UT, having accumulated an equal number of hours in both, although I had not officially declared such. Aside from the fact that I loved both anthropology and art, I had a sort of plan that if I did not make it in forensics (a tough and demanding program) or archaeology, I might become an illustrator for anthropological publications.

There was no forensics program at Memphis State. In 1977, their graduate program in anthropology consisted of three tracts: medical anthropology, urban anthropology, or museum studies/historical archaeology. For me, it was an easy choice not to pursue the urban tract. Medical was of interest to me, but not with what they were doing at Memphis at that time. The museum studies/historical archaeology tract was definitely of interest and quite promising because I had always loved museums and, from the age of about ten, thought that someday I might work in one. I did not realize at that age that a major in anthropology or art would be useful for this type of career.

My mother wanted me to study English at George Peabody College for Teachers (now Peabody College of Education and Human Development at Vanderbilt University), come home, live with her and Daddy, and teach high school English in our home town. Generally, her word was Law, but I don't remember ever being very excited about having that as my life plan. Well...the English major part, maybe, since I loved literature and poetry, having been mentored from an early age by our high school English teacher, Evie Mae Ross, who lived next door. It was decreed: I would major in English. Well, once again, life has a way of changing things.

My married sister moved to Washington, D.C. during my junior year in high school. It was the usual family plan that I spend the duration of my summer vacation with her. She and her husband and toddler son lived in an apartment within walking distance of the Smithsonian, the Capitol (I could see the dome from my bedroom window), the Library of Congress, and other famous Washington landmarks. I spent my seventeenth summer wandering around the Smithsonian museums almost daily. I was in museum heaven. This was truly inspiration for pursuing a job in museum work. I aimed high. Yes, someday I would work there. The Museum of Natural History, The Museum of History and Technology, and the National Gallery of Art were targets of my museum ambitions. In the meantime, Mama's Law stood and I began my college years as an English major at Tennessee Technological University.

And, well, I sometimes wore blue jeans--made by Levi Strauss & Company--to class.

Would there be a career in museum work in my future? Would I become an archaeologist? Would the time come when I would see the words "Levi-Strauss" (with the hyphen) and think of something other than my favorite pair of indigo-dyed denims?

The Silken Tent

This is one of my favorite Robert Frost poems.


The Silken Tent

She is as in a field a silken tent
At midday when a sunny summer breeze
Has dried the dew and all its ropes relent,
So that in guys it gently sways at ease,
And its supporting central cedar pole,
That is its pinnacle to heavenward
And signifies the sureness of the soul,
Seems to owe naught to any single cord,
But strictly held by none, is loosely bound
By countless silken ties of love and thought
To every thing on earth the compass round,
And only by one's going slightly taut,
In the capriciousness of summer air,
Is of the slightest bondage made aware.

poemhunter.com





stock.xchng



In looking for images for this poem, I found the website of artist Joanna Tlok, who does lovely oil paintings of landscapes composed of silk fabric. Please visit it at www.joannatlok.com

For Cathy

When You Wish Upon a Star


When you wish upon a star
Makes no difference who you are
Anything your heart desires
Will come to you

If your heart is in your dream
No request is too extreme
When you wish upon a star
As dreamers do

Fate is kind
She brings to those who love
The sweet fulfillment of
Their secret longing

Like a bolt out of the blue
Fate steps in and sees you through
When you wish upon a star
Your dreams come true

Music by Leigh Harline / Lyrics by Ned Washington

Performed in the Disney movie "Pinocchio" by Jiminy Cricket (Cliff Edwards)

1940 Academy Award for Best Original Song; ranked seventh in "100 Greatest Songs in Film History" by the American Film Institute.

Song without Words 10/16/09